In this article, I’ll be reviewing the AKG C451 B small-diaphragm condenser microphone.
This is a revamping of the original model, the C451, and AKG has made some modest changes to the overall design and performance.
We are reader-supported. Links on our site may earn us a commission. More about us
Brandon is a producer, audio engineer, multi-instrumentalist, and senior writer at Higher Hz, where he covers microphones, studio monitors, audio interfaces, and recording techniques.
Coming from humble beginnings, Schock began recording psychedelic bedroom pop with nothing except for GarageBand and the built-in microphone on his laptop as a teenager.
While he's since upgraded his recording setup, Brandon still has a proclivity to work through the confines of limitation.
His music is spasmodic, distorted, and restless, often taking inspiration from artists such as Cornelius and The Beach Boys.
Over the years, he's gained a vast amount of experience recording, writing, and performing with local groups and fellow artists such as Petty Walker, and Windy 500.
When it comes to gear, Brandon has a particular fondness for several models and series of studio gear. He usually records through his Focusrite Clarett 8Pre, aided by his Beyerdynamic DT 770 Pro for tracking.
For microphones, the Electro-Voice RE20, Neumann KM 184, the AKG SE300 B (particularly when using the CK91 capsule), and Coles 4038 are worked to their limits in his studio.
He also has a soft spot for Adam Audio studio monitors, which he has been using for years.
In terms of preamps, Brandon has two favorites: the clean and transparent Focusrite ISA One and the warm and colorful Universal Audio Solo/610.
However, even though he has his mainstays in his arsenal, he's incessantly researching and trying to find hidden gems.
Still forever passionate about music, Brandon has recently dedicated himself to writing about the latest innovations in audio technology, while keeping busy with his own projects and passions.
In this article, I’ll be reviewing the AKG C451 B small-diaphragm condenser microphone.
This is a revamping of the original model, the C451, and AKG has made some modest changes to the overall design and performance.
The Revolution 2×2 is one of the latest installments in Black Lion Audio’s catalog, and it’s an incredible USB audio interface. This unit showcases everything that the folks at BLA have learned through transforming gear from other manufacturers. Let’s take a look.
The Rode NT1 has picked up a modestly iconic reputation since it was one of the first genuinely affordable large-diaphragm condensers to come out right around the time that home recording started to become more prevalent.
The iConnectivity PlayAudio12 is an interesting interface that’s been specifically designed for live use. As a result, it has no proper inputs. Before you run away in horror, let’s talk through what it has to offer.
In this article, I’ll be reviewing the M-Audio M-Track Solo audio interface. As an entry-level, 2-in/2-out interface, its low price is a little more than suspicious. Let’s see if it’s worth the money, or just a rip-off.
USB microphones tend to be catered towards podcasters, but I’m curious to see if the AKG Ara can hold its own in music recording. Let’s take a look.