A good MIDI controller is often one of the most powerful tools a musician/producer can buy, and you don’t have to pay a small fortune.
I’ve tested a range of budget controllers to find the best options available between $100 and $200. These MIDI controllers are ideal for beginners on a tight budget but are good enough for advanced musicians.
In this article, I’ll be reviewing the M-Audio M-Track Solo audio interface. As an entry-level, 2-in/2-out interface, its low price is a little more than suspicious. Let’s see if it’s worth the money, or just a rip-off.
USB microphones tend to be catered towards podcasters, but I’m curious to see if the AKG Ara can hold its own in music recording. Let’s take a look.
The AKG K240 Studio have been something of a staple in the recording world for the past 20 years, but let’s see if they hold to today’s standards in the face of their new competition.
M-Audio’s Keystation range provides some of the best-selling MIDI keyboard controllers on the market.
The success of the Keystation range is primarily thanks to three defining characteristics: simple, reliable, and budget-friendly. You can go for 88, 61, or 49 keys, and there’s even a much smaller 32 mini-keys version.
In this review, I’ll be testing Aston’s Element, which is an active moving-coil microphone.
Aston Microphones are well-known for their unique and innovative designs and high-quality microphones, so let’s take a closer look to see how this microphone stands up against the company’s reputation.