When it comes to drum machines, none were more groundbreaking than Roger Linn’s Linn 1980 LM-1. Everyone from Prince to Phil Collins used an LM-1 in the 80s; everyone since has been looking for ways to recreate that iconic sound.
As far as entry-level audio interfaces go, the Tascam US-1x2HR seems to offer the same level of performance. Let’s go through everything it has to offer.
It can be extremely daunting to open up a fresh patch in Serum, stare at the blank slate in front of you, and try to get from the default saw wave to a head-crushing bass sound, or a gentle bell pad.
If you’re looking for a cheap pair of studio monitors, one possible solution you may have come across is, of course, the Eris 3.5 from PreSonus. For just around $100, it definitely holds an argument for your consideration, but I’m not the biggest fan of it.
In this review, I’ll be taking a look at the Motu M2 audio interface. It’s one of the better options in terms of entry-level units, so let’s take a closer look.
Imagine sound as a pulsating wave, traveling through air and bridging the gap between its original source and your ear canal, where it’s captured and decoded by your brain.
The science behind the sonic realm is as fascinating as it is articulated, and one of the most fundamental concepts in the field is the role of hertz and frequency in sound. These are the building blocks of not just music, but the way we perceive audio in all its forms.