These days, built-in DSP has become something of an expectation when it comes to higher-end audio interfaces. Antelope Audio, in particular, has earned a reputation over the years as being one of the more eminent companies who have embarked on this front.
What do concertgoers, musicians, audio engineers, music photographers, and those dealing with snoring partners have in common? That’s right, they should all use earplugs!
Since 2001, Telefunken has been manufacturing high-end microphones out of South Windsor, CT.
Not too long ago, the company released the M82, a large-diaphragm cardioid dynamic microphone designed for kick drums as well as broadcast vocals.
In this review, I’ll be taking a closer look at the M82’s overall performance in a variety of applications, as well as seeing how it stacks up against a few competing microphones.
Finding the perfect budget studio monitor is no easy task, especially for beginners. But worry not – there’s at least a handful of options in the $100 to $500 range that are worth looking into.
Understanding the differences between various types of microphones is crucial for choosing the right one for your recording needs.
Dynamic, condenser, and ribbon microphones are the three main types, each offering unique characteristics and strengths.
Synth VST plugins are so good these days that they convert even the most ardent hardware purists to software enthusiasts.
Soft synths are generally a cheaper alternative to hardware, but that doesn’t mean they don’t get pricey. As always, I’ve got some recommendations for all budgets and a couple of freebies everyone should have.