The Beta 52A is one of the most popular choices when it comes to recording bass and kick drums. So, let’s dive right in and see if it holds up to the hype.
Cockos Reaper has been around for almost two decades, making it one of the well-established DAWs in music production.
Yet it always seems to be scoffed at when compared to Logic, Ableton, Pro Tools, and other seemingly more professional workstations. Why’s that?
While there are some reasons you might want to stay away from it, Reaper is also a resourceful workstation that packs a punch.
In this review, I’ll be testing the Universal Audio SD-1 cardioid dynamic microphone.
Universal Audio is a huge name within the industry, and are often amongst the leading innovators of audio technology. This microphone isn’t necessarily the most expensive microphone out there, but it isn’t truly a budget mic either.
Anyway, let’s take a deeper look and see what it has to offer.
In this review, I’ll be taking a look at the Arturia MiniFuse 2 audio interface.
This new release from Arturia is a part of their new MiniFuse line, also featuring the MiniFuse 1 and 4. It’s incredibly affordable, but let’s see if its performance is worth the expense.
In this review, I’ll be taking a look at the Lewitt LCT 1040 microphone system. Lewitt’s output has impressed us over the last few years, and this recent release has been highly anticipated.
A digital audio workstation is to a music producer what a studio is to a painter: the perfect environment for creativity, a blank canvas ready for your vision.
Like a painter needs colors, you need plugins, time, and a clear vision. The right DAW provides a clean workspace to start from.