In this article, I’ll be reviewing Universal Audio’s Volt 276 audio interface. The company has been renowned for its contributions to audio technology, so with any new release, expectations run high. Let’s see if the Volt 276 can hold its own.
The UA 176 is perhaps one of, if not the most highly sought-after compressors of all time. Simply finding one is an extremely difficult task on its own, and even then, trying to buy one for any less than $20,000 is just about next to impossible.
Enter the Retro Instruments 176, which is an attempt to not only bring this coveted tech to the masses, but to expound upon and heighten its capabilities.
For beginners interested in the art of recording, finding a reliable point of entry can be a bit daunting. Especially now, seeing that the market is completely oversaturated with low-budget condenser and dynamic microphones, some of which are great and some of them not.
Understanding the different types of microphone polar patterns and how to apply them is crucial when choosing the right microphone, whether you’re recording vocals, guitars, or a full orchestra.
The Professional Monitor Company (PMC) has made some enormous leaps and strides since its conception in the 90’s. Today, we will be reviewing the Result6, designed to be a more recent entry-level option from PMC. Let’s get into it.
In this review, I’ll be testing the Lauten Audio LS-208 end-address large-diaphragm condenser microphone.
Lauten Audio is a small, family-owned company that has been making unique boutique microphones since around 2006. Let’s see what they’ve managed to pull off with the LS-208.