In this review, I’ll be testing the Samson SR850 semi-open back studio headphones and comparing them to several of their competitors.
These aren’t very popular, but I’m hoping to find a reason for why the opposite should be true.
Arturia’s AudioFuse range of interfaces has been almost universally well-received since launch. In this review, I’m looking at the AudioFuse 8Pre, which is the rack-mount/desktop model; and it’s stunning.
The Scarlett Solo has proven to be exceedingly popular among entry-level musicians, and each new iteration has steadily improved upon the former’s successes. Let’s see if the third generation follows suit.
With every release, the folks at Focusrite have steadily improved nearly every aspect of their product’s performance.
The third generation of the Scarlett 18i8 was released a little over five years ago and the unit still stands as one of the best interfaces on the market. Let’s take a look at what might make this such a great product.
Beyerdynamic’ DT series consists of some of the most popular headphones choices in the professional market to date, leaving the DT 240 Pro with some fairly big shoes to fill. Do they live up to their namesake?