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Debuting in 1969, the Electro-Voice RE20 initially became a favorite amongst radio broadcasters due to its clarity and immunity to proximity effect.
Since then, it slowly became known as one of the most useful microphones a studio engineer could own.
Capturing the tone of a guitar amp is as much about microphone choice as it is about personal preference. While there are plenty of mics that can get the job done, not all are created equal – some are simply more reliable and require less touch-up in post-production.
As a small family-run company, Lauten Audio has been crafting intriguing boutique microphones since 2006. Now, let’s see what the LA-120 has to offer.
The sound of your drums can make or break your mix, and while there are exceptions to every rule, getting the perfect drum sound is no laughing matter.
In this article, I’ll be reviewing the AKG C451 B small-diaphragm condenser microphone.
This is a revamping of the original model, the C451, and AKG has made some modest changes to the overall design and performance.
In this review, I’ll be taking a look at the Shure SM7B dynamic microphone. Some of you may be familiar with this microphone as the one Michael Jackson used on Thriller. If not, now you are. Let’s get started.