In this review, I’ll be taking a look at the Adam Audio A4V powered studio monitors.
I’m a fairly big fan of Adam Audio, and the company has yet to let me down in terms of the quality of their products and the cost-to-value ratio that comes with them. Let’s see if the A4V change my opinion.
Having a solid low-end response is crucial in music production, especially if you’re into more bass-driven styles. But with hundreds of options and conflicting opinions out there, finding the right subwoofer can get confusing fast.
If you’re anything like me, you may have found yourself coming face to face with another form of writer’s block that can be quite potent in nature. Finishing the song!
Agh! It’s bringing back painful memories as I write this! It can be hard enough getting started on something let alone knowing how to wrap things up, right?
Finding a microphone that can handle all the abuse of a live performance, as well as life on the road, while still capturing the full range of your voice, is one of the most important decisions a singer can make.
Debuting in 1969, the Electro-Voice RE20 initially became a favorite amongst radio broadcasters due to its clarity and immunity to proximity effect.
Since then, it slowly became known as one of the most useful microphones a studio engineer could own.
For years, Focusrite has held its spot as the forerunner of budget-level audio interfaces. The Scarlett, in particular, has reigned supreme since it hit the shelves back in 2011.
Now, Focusrite is launching the fourth generation of the beloved interface, once again aiming to keep their place at the top of the heap. Let’s take a deeper look and see what it has to offer, as well as how it contrasts with its predecessors.