Having a solid low-end response is crucial in music production, especially if you’re into more bass-driven styles. But with hundreds of options and conflicting opinions out there, finding the right subwoofer can get confusing fast.
Finding a microphone that can handle all the abuse of a live performance, as well as life on the road, while still capturing the full range of your voice, is one of the most important decisions a singer can make.
Debuting in 1969, the Electro-Voice RE20 initially became a favorite amongst radio broadcasters due to its clarity and immunity to proximity effect.
Since then, it slowly became known as one of the most useful microphones a studio engineer could own.
For years, Focusrite has held its spot as the forerunner of budget-level audio interfaces. The Scarlett, in particular, has reigned supreme since it hit the shelves back in 2011.
Now, Focusrite is launching the fourth generation of the beloved interface, once again aiming to keep their place at the top of the heap. Let’s take a deeper look and see what it has to offer, as well as how it contrasts with its predecessors.
Tired of using an SM58? Looking for something different? Enter the Telefunken M80, a dynamic handheld microphone.
It looks fairly similar… Maybe you could use it instead of that boring old Shure. But how does it sound? Let’s get into it.
In this review, I’ll be looking at the Neumann U 87 Ai condenser microphone. This is the updated version of the original U 87, which had its debut in 1967.