These days, built-in DSP has become something of an expectation when it comes to higher-end audio interfaces. Antelope Audio, in particular, has earned a reputation over the years as being one of the more eminent companies who have embarked on this front.
Nowadays, it’s easier than ever to record music, with many audio interfaces offering performance that rivals far more expensive gear. A wide range of options is available for macOS and Windows users alike, from USB to Thunderbolt, and for everything from home setups to professional studios.
The iConnectivity PlayAudio12 is an interesting interface that’s been specifically designed for live use. As a result, it has no proper inputs. Before you run away in horror, let’s talk through what it has to offer.
Focusrite has earned quite the reputation among many over the years, having been the recipient of four Queen’s Awards for Enterprise as well as two for International Trade, and another two for Technology.
Their products are by and far some of the most popular choices for musicians and it’s not difficult to understand why – they sound great. The Focusrite Clarett+ 8Pre USB is no exception to the rule.
The Babyface Pro FS is a rock-solid, 24-channel interface with a pristine sound and stunningly stable clocking abilities. In this review, I’ll take a look at what makes this interface so great.
In this review, I’ll be looking at the Universal Audio Apollo Twin X Quad, a 10-in/6-out interface that features real-time UAD processing and ample expandability.